What Can I Write In A Card For A Gay Wedding

, dir. Akihiko Shiota (1999)

He wants to be her dog
She wants to see him cry
Love hurts

Nice, the conventional story of young love (or a pretty conventional story of young love) takes in a movie Akihiko Shioty roughly 25 minutes. These initial. Takuya and Satsuki go to school together, but also on a course of martial arts kendo ; he likes her, she likes him, within 15 minutes talking about himself, and in the vicinity of 20-this comes between them first approximation. Soon after, she, being alone in his room, opens a drawer i. .. this is a moment in which begins in the "Moonlight Whispers" correct history. I still love, but unconventional, because although teenage love story This species does not often get prolific in the stories dealing with sado-masochistic relation pair of heroes.

debut and is still the best film Akihiko Shioty looks a little bit, like a cross between "Fucking Amal "Lukas Moodysson of" The Piano "by Michael Hanekego, but in reality the Japanese. It's obviously a very arbitrary comparison, but I like them. Story told in" Moonlight Whispers "win is a similar ambiguity, which a few 'moments' between Erica and Walter in the second of the aforementioned films. After discovering the truth about your boyfriend Satsuki rejects him, he would not give up - go for it, which is transformed into a complete mental abuse, humiliation and self-humiliation, cruel ("sick") relationship, which is also the the only form in which the characters feel will be able (and willing) to express themselves fully.

Shiotcie succeeded beautifully in "Moonlight Whispers" is what often determines the strength of the best films whose theme is the relationship of people with some reasons thrown out of the club, in which it is precisely this strangeness is what separates the enforced intimacy, true feelings from the truth convenance, pure lyricism of the ritual.

A - not easy to cross, and often overlooked - problem with the more classically conceived love story, with its more or less typical pair of heroes comes precisely from typicality: the universality, so certain situations, as well as assigned their language. What is the intimate experience of living, personal (if only just because it is perceived as such) as addressed to a number of film is often (not always, a big generalization, of course) until the very multiplicity, as a consequence of the next film love it very very romantic rituals are accompanied by the same gestures, words and romantic poses. The same soap.

"Moonlight Whispers" is also very romantic, so that a little differently than a dinner with wine and candlelight. Separateness relationship pair of heroes and consequently their own making, that nothing in this beautiful film does not impose itself as a "quotation", as the same, acted. Even the nature of their relationship is defined as the sadomasochistic above is not quite what the term is associated with in the first place (the accent is, rather, the emotional sadomasochism than purely physical). Takuya and Satsuki move us so its still very early loss, torn between what is perceived as innocent, and what is defined as the perverse, as well as its poszczególnością: far from all the others, almost to himself.

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Merry Christmas!

Is A Malar Rash Bumps?

dzienniczek.odcinek sixth

Thursday

Apart "Dawn of the Dead" in 2004 not a fan of creative Zack Snyder. In his films he can and reaches for a great literary and comic material, but ultimately can not give it character, his own word - other than just the visually striking, which strikes me as very artificiality of cinema, and more ambitious cases ("Watchmen", 2009) also pretentious. Drawn by his own script, "Sucker Punch" proves, moreover, that this is not the story itself, but its image is what currently most interested in Snyder. And paradoxically - even though it is not very good movie - it works for the benefit of the whole. This time, the director at least does not pretend that it is more than Only the drama and impressive images, accompanied by a striking musical setting. "Sucker Punch" is a movie theater camps, except that while blockbuster - appropriately so ugrzecznione. At times a bit nudnawe (action scenes), but the ground that unpretentious. Moreover, not only beautiful, but also does a good acting skills (and vocally ) Emily Browning in the lead role. Escape.

Friday

biggest problem with the fourth "screams" that characteristic of this series autothematic, pastiszowa fun - this time a bit prematurely praised by some critics - is told through far too obvious (readable for the broadest possible public) language. It is not enough so the scene where the victim the murderer tries to escape death by admitting that he is gay - before you have to explain a joke, and enter a dialogue in which to emphasize that under the latest rules of slasher, as ever virgins, now gays have the most opportunities. In a similar way a bit spoiled here (surprising, that) the final and crucial for 'four' to highlight the differences between the mentality of today's young generation and the prior two decades. When it comes as to what all the simple rule of thumb is lined sentence by sentence. To be fair to admit that a similar literal can also strike today watched the first "Scream". Except that that formed in 1996 in the film had a freshness, was a novelty, especially in the genre, who represented. Currently, when a similar game conventions characteristic is so often part of the popular cinema, however, could use a little more sophistication and confidence in the ability of viewers to learn from yourself what you can see on the screen. Nevertheless, in spite of the above and a few silly scenes (usually occurs in them, Courtney Cox) 'Scream 4' is quite bearable continuation, not as cool as the second part of the cycle, but decidedly better than, the most serious, the third. Craven has long since lost touch with the modern horror film, but just in this case its work partly on the deficiencies plus, adding to total slightly oldskulowy atmosphere - that would not quite say on the spot in the film, which plays an important role as the citation of production 15 years ago.

***

Good News. On the Blue Tongue Films there is information that is shown in Cannes The most recent short film Nash Edgerton - "Bear" as a follow up (!) the fate of the hero "Spider" in 2007. It is true that somewhere here before the Spider linkowałem, but ... Let's relive.

Models Wearing Girdles

Shameless, Season 1 (2011)

American version of the popular British series - and television revelation of this year. Tells the story of a poor, large family of working-class "Shameless" is hidden in their bases a lot of potential, on the one hand - the so-called. involved a story about the life of people of the lowlands of the social, the other - the cut, satirical portret disadvantaged social class (and also the more satirical portret to a particular nation, such as .. "& day"). But it is neither one nor the other. Instead, he is hilarious, very flawed, but often very beautiful paean to the part of all that is imperfect.

shown portraying the reality of the characters and populate it from the bottom, without idealization, but with a load of faults, mediocrity, mediocrity - the creators release them simultaneously from coercion correctness. Betray further problems heroes fiction themes, which in any other, a more traditionally conceived of history would have become a flashpoint for extending more or less emotional struggle (someone close to conceal his sexual orientation, someone else, he is married, someone who betrayed ... someone kidnapped the child), there usually are exceeded extremely rapidly, not because the authors use the abbreviation, but because you gave more characters know about each other's shortcomings-at the same time deprive them of their hypocrisy. Words, that in the last episode of the season series heroine says to her younger sister: life a mess, and people have secrets read in this context, a bit like the motto of the whole.

characteristic that the same episode to end in such death by suicide of one of the supporting characters - the one that perhaps most of all the portraits in "Shameless" committed to socially acceptable ideal. Here lies the highest perversity of the series. Although most descriptions of "Shameless" family hero is defined as dysfunctional, Series creator dysfunkcyjności (or perhaps the basis for it), they seek not to mess Gallagherów, but rather on the other side - where nice and tidy: in common - weight of social norms imposed from above, and the requirement of konwenansie attractive at any price, and finally in hiding shame and rejection of all that is ours, and such ugly, and so impure.

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Easter cake Happy Easter Pig

theme cake is probably generally known, but refused the perpetuation of my version, and the occasion to write in one place of the mass to stickiness of the foam, sponge and chocolate cream to translate.

Sponge by my mom (Cake stand with a diameter of about 24 cm)

5 eggs 1 cup sugar 1 cup
flour


Weight:
150g dark chocolate 250g cream
36%
2 egg whites 20g sugar


the soaking syrup:
about 3 / 4 cup water
1 teaspoon coffee
2 - 3 tablespoons rum

weight of pigs to be done:
100g pink marshmallows foams
approximately 200g caster sugar 1 tablespoon water


foam melted in a water bath by adding a tablespoon of water. For smooth, slightly cooled dish weight slowly sifted powdered sugar, Crimping on the counter with a flexible basis. The mass has the consistency of plasticine, well it sticks to the cake decorations.
can I prepare in advance and kept tightly wrapped in plastic food in the refrigerator.


Prepare sponge cake:
Manual Version - Beat the eggs with sugar on hand "to white" (less than a larger pot of boiling water placed so that the smaller vessel did not touch water). Whipping whisk should last about 20 minutes. After removing the mass from the pot, whip for a moment and then carefully pour the flour in batches wmieszając it lightly with the egg. Pour batter into
previously prepared cake tin (lined with lightly oiled paper.)

machine version. Since eggs killed for me doing biscuit kitty takes a lot less. For better the effect of the metal bowl of a mixer just before whisking you can warm up by pouring into it for a few minutes of hot water. Slaughtered for white eggs removed from the machine and gradually pour them into flour by hand stirring all the time. The finished weight

translate into springform pan and bake at 170 º C for about 40 minutes.

Prepare the soaking syrup: Boil water
, brew coffee and add the rum. Cool.

Prepare chocolate mass to translate the cake: chocolate
dissolve in a water bath.
proteins with sugar beat separately and whip cream.
protein combined with Whipped cream and a whole add to the already smooth, but slightly przestudzonej chocolate. Mix gently.

Wystudzony sponge cake, baked the previous day is best to cut into three parts.
soak the syrup and place half of the chocolate mass to translate the first two discs. The second disc after soaking it is translated into something sour. I've used sour apricot jam. The rest of the weight used to grease the top and sides of cake.

After translating is well lubricated and put the cake in the fridge for 2-3 hours.

formed and become pigs at the end.

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Red Angel, dir. Yasuzo Masumura (1966) Somewhere

Closer to us unknown Yasuzo Masumura was one of the most important late-classical Japanese directors who, with their separate and often courageous work of paved the way representatives of the New Wave, and thus a thorough change that has taken place in Japanese cinema in the late 60's. Masumura was a generally faithful to the two themes, which consistently came back especially in the earliest and the best stage of his art: individualism and sexuality. One, moreover, was connected directly to him with the second, the sexuality depicted in two opposite ways. First, as a destructive force leading to self-destructive characters, though often at his own request - as in "Blind Beast" (Moju, 1969), "about a far-reaching - you can no longer continue - sado-masochistic view of a blind artist, and kidnapped by the model. Second, as a positive force (at least in part - sexuality in a smaller or larger so often combined was with him for the realm of death, like the body - lacerations), as a form of feelings of binding together a pair of heroes and individualises them from the rule odgraniczającego presented a critical population, which were part of.

This was even in his two wonderful and having a lot in common melodramatach: the "wife Seisaku" (Seisaku no sum, 1965) and formed a year later, "Red Angel". The first of these movies as an example the history of compound derived from poor families (rejected by the rural community) a young girl from a local war hero, a powerful, yet dramatic and beautiful way Masumura opposed to each other, these two orders: the individualist, associated with the sphere of unit feelings (with a strong emphasis on the erotic fascination) and the Community, in this case associated with a specific order, closed community, as well as with senior responsibilities: to the nation of Japan (the quarterback in the first years of the twentieth century, during the Russo-Japanese war movie Masumury was a strong critic of the ongoing aggressive nationalism in Japan by the end of World War II).

Context antiwar returns in "Red Angel" just as important (and at the same until a surprisingly dramatic, and not only for his day). Set in 1939 during the Sino-Japanese War, the heroine is a 24-year-old nurse, Nishi, who soon after he is raped by one of the wounded soldiers - And the eyes and with the help of others - is sent to a field hospital closer to the front line, where he falls in love addicted to morphine, and consequently suffer from impotence Dr. Okabe ...

In both these films starring prominent Japanese actress Ayako Wakao, muse Masumury (performed with him 21 times), both of the female heroine is in the foreground, her gaze is crucial - and in both it was the prospect of prejudice to freshness and moral courage.


One of the somewhat paradoxical characteristics of the period of Japanese cinema classical was that growing out of strong patriarchal culture and customs could - I would say that if, in spite and consequently the same time - a lot of beautiful portraits of female characters (most often occurring in the wider genre of melodrama, though not necessarily only). Initially presented yet quite monumental, as a mandatory tragic sacrifice of love, sacrificing for the beloved man (or child), thereby entering a few basic rising from the literary tradition of female archetypes: Ideally, the mother or the perfect lover. In time, with the escalation of Japanese society in the modern (Western, individualistic) patterns of film portraits of female characters, even if they are still included in the traditional melodramatic roles were becoming more complete and less sacred. One important consequence of these changes was to identify the next, the youngest of the Japanese female archetypes: female spider (or a female praying mantis), a seductive, conscious desire to raise, and dangerous: revenge on a privileged man for their grievances, which consequence of her child, because women's role (and in our well-known example of this type of heroine is Asami its excellent "pre-Games" Takashi Miike).

originality as the film and the heroine of "Red Angel" mainly lies in the fact that it is a combination of these archetypes. It is - in every sense - beautiful woman, devoting herself to the poor man (poor women), is a victim of love, while is fully corporeal, conscious of their sexuality, desires, and well its me. The basic feature by which it is perceived and portrayed the heroine in the world, presented here is sexuality, which is the first of its weakness, then strength. For most male protagonists Nishi exists as an object of desire for Okabe, where she is in love wants to exist as an object of desire ... Driven by compassion, dedicating himself to okaleczonemu (those without hands) soldier, who takes care of in a sense it is an invalid type Nishi feminism "holy sinners" (like the heroine of "Breaking the Waves," von Trier and "Joanna" Mundruczó), the type will be happy to be criticized or called objectification. male gaze. In the case of "Red Angel" such allegations have no chance at relevance, and it is not least due to different culture, but simply from the fact that in Masumury sexuality is a force that never is not something a child, something we can bring someone. Mentioned earlier, characteristic of his movies combine in this sphere with the death (as opposed to its kind) in a strong and quite obvious here is motivated by time and place of action: in this very lyrical film the hell of war, in the middle of which meet the heroes of the presence and the feeling lurking death is so strong that the discourses on the social roles they lose any meaning. What matters is only what is most important: love, survival, erection, orgasm.

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baba

Easter baba brewing yeast

delicious, smelling of rum and a little moist.
It is the only yeast dough that is not satisfied with a small amount of yeast because of its high fat and eggs. Brewing and flour makes the dough stays fresh longer.

components on a form with a diameter of 22cm from the so-called. chimney

- 300g
flour - 20g fresh yeast
- 1 / 2 cup milk
- 3 egg yolks
-
50g sugar - 2-3 tablespoons rum
- 60g butter dissolved
- a handful of raisins, cranberries, cherries or dried orange peel
- pinch of salt

Milk should be boiled and hot combine with half of flour, pouring a thin stream, stirring vigorously. Rub thoroughly, so as not to arose lumps. Set aside.

mixture to lightly przestudzonej wkruszyć yeast, add a tablespoon of sugar and wait a few minutes until the yeast slurry moves.

whip yolks with the rest of the sugar, add rum.

combine all the ingredients into soft dough, adding at the end of dissolved and cooled butter.

dough knead well - should be soft and fairly loose.
Place in a greased
buttered bowl, cover and leave to rise for about 1 hour, until double in volume.

babkową form, preferably with a fireplace thickly spread with butter and sprinkle with flour. Put the dough in half of its height.

Set aside again to rise for about 45 minutes - 1 hour.

Bake for about 40 minutes at 180 ° C.

After baking, the grandmother can polukrować or sprinkle with powdered sugar-.

recipe for this old woman, along with several completely new was included in my book "Yeast dough - in different ways."
book is a new release old "yeast cakes," as supplemented and amended, with new artwork.

Play Squash In Docklands

"Somewhere," Sofia Coppola. Yesterday I watched it again. Only such a beautiful film about being together in the same place and time - with an accent and on time and on time. The latter ends in "Somewhere" or tolerable or intolerable, according to which all film is divided, or even intertwined with two types of scenes. Those emphasizing the loneliness-star hero, how wonderful extended scene characterization, and those that illustrate the unconstrained, the natural proximity of his relationship with his daughter. Sometimes these scenes are arranged in their order in their opposites: Johnny Marco trashy show, first seen two strippers dancing in the pipe-twins, and is perhaps the saddest striptease ever filmed, and a moment later, in a three minute, one of the prettiest parts of the film - his daughter dancing on ice. Sometimes, as when Cleo accompanied his father in his professional visit to Italy - the sensitivity of the latter stages (where the time goes slightly) passes to the first (if hard expires), making them - so because of the presence and looks girls - znośniejszymi. .. Actually, much of it was already in "Lost in Translation", but there the relationship between a pair of single characters, male and female, were also lined with some romantic tension, flirtation. In "Somewhere" in a different, perfectly innocent, clean layout is just beautiful, boring proximity.

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dzienniczek.odcinek fifth

Monday

Excellent "Dazed and Confused" (and after our "Dazed and Confused"), Richard Linklater, 1993. Deprived of the foreground character, and even some more clearly the main storyline of the younger generation a collective portrait of the late 70's. Nostalgic, but without idealization, and the ubiquitous fajności slack, but with a very high sensitivity to detail, that time, an era that direction, fashion, attitudes, language, rituals and attitudes - plain and fascinating film, which could let the students of anthropology and sociology, but also very honest, exerting a strong impression with your authenticity universal portrait of youth, which, despite a slightly comedic envelope closer to the magnificent "Last session the film by Peter Bogdanovich than - say - to a John Hughes movie polite or rude Kevin Smith.

Tuesday

"Scraps" (Gummo, 1997), Korine Harmony'ego loud debut. I do not like. Although for the sake of fairness we should admit that this is not a movie so bad as Larry Clark's films, which Korine made scenarios (slightly better for the "kids" and completely grafomański to "Ken Park"). Quite nice and impressive in "Quilt" ostentatiously ugly and ineffective visual side. Also, the text of weapons, especially in those of its parts, which belong to the narrator often squeezed out here with him, something in a strange way beautiful and poetic (as in the opening scene movie). But ultimately it is barren, aiming to nowhere story. Lasts 90 minutes, it could take 40 minutes. Not much it would change, because nothing here is not growing, it is just a string of consecutive images of grotesque decay, pathology, and the ugliness of some of hopelessness, that neither my heat ziębią or because it is difficult to emotion, when the characters exist only as the creator of a band freaks. Poets are damned boring. Korine is boring.

Saturday

Sensational "Post Mortem" (2010) Pablo Larraina. Two years ago made a big impression on me that the previous film, Chilean director - "Tony Manero" quarterback in the late 70's, minimalist and realistic (which does not always go hand in hand), strong, well-played video on the example of the history of sociopathic a lover of "Saturday Night Fever" was about how evil and immoral perverts political organization (here: the dictatorship of Augusto Pinochet), and passes from one order to another, under the skin, in the social and individual mentality. "Post Mortem" is a kind of prequel to "Tony Manero" - decay, which was the background earlier film, including - the striker at the time of the coup and access Pinochet to power in 73 years - begins. And in contrast to the above-mentioned "Scraps" in the eerie allegory of the moral decay Larraina Pablo (decomposition) of a place and a certain humanity is in itself a repulsive truth. Theater troupe.

Sunday

comments made by "Eyes of Julia" (2010) Guillem Morales. English horror film a la Del Toro, passing the washings la thriller "Wait Until Dark" (1967) Terence Young passing a Brazilian soap opera.

*
- told me that when he looked in my eyes that saw the entire universe. What if this universe disappear?
- No. It will never happen.




***
of the cycle: we, whore, you

Zbigniew Banas in the last film of "undefeated" (The Way Back, 2010) Peter Weir: (...) on the screen can be heard in many scenes the dialogue bits in Polish. That's nice. But even the mockery zakrawa the fact that the cast is not acting at all Poles (...)

God, nobility and truth, however, that the international staff and less English in dialogues that will not hurt a whole, although a mockery zakrawa there at the most infantile ending. The rest below acceptable standards did not go down, but as a fan of Peter Weir's work was very disappointed. If Weir did this film 10 years ago it probably would be satisfaction, today it's a little archaic, "too American" and "too stardom" - although well acted - the cinema.

Monday

"13 Assassins" (2010). Best Takashi Miike film since the "Graveyard of Honor" in 2002, and also the best - next to "Zatoichi," Kitano - jidai geki created in the last dozen years. Placing the action in his movie at the beginning of the Meiji era, during the decline of the samurai class Miike here is no less nostalgic than they were last Yoji Yamada's trilogy (2002-2006) and Yojiro Takita in 'When the Last Sword is Drawn "(2003). However, unlike most of his contemporary predecessors (to which the order should also include Takashi Koizumi with his "Ame Agar" in 1999, and Hirokazu Koreedę with the best in this group, "Hana" from 2006) Miike rozmemłał not told his story in a lyrical , sentimental, precious necessarily taste the sauce, but made full-bodied film genre: the dynamic, bloody and spectacular, glorifying and deeds belonging to the past heroes in the finals in almost a literal (and, as befits the director's perverse than Convention) umiejscawiający their way in the sphere of myth. Ah, what a beautiful shambles.

Tuesday

"Hobo with a Shotgun" (2011) Jason Eisenera. And this is for a variety niepiękna shambles. "Hobo" has its roots in grindhouse'owych fake trailers, but the full-length movie in his style seems to have more in common with the Japanese chaff like "Machine Girl" and "Tokyo Gore Police" than the productions Rodriguez. Very exaggerated, very silly, very violent, and at times genuinely funny (Rutger Hauer recalls pastiche for what he loved, when as a 13-year-old is enjoying the "blank fury, "Phillip Noyce), but I'm increasingly weary of this awesome software shoddy Convention stupid fucking movie horny easygoing addressed to contemporary audiences. Kitsch in abundance is fucking boring.

***

quote from "David Cronenberg: the body decay, the disintegration of the species," Christopher Pitrus Loski and Andrew, who in turn cite Linda Williams

"sexual relations play in the porn film the same role as the sung and danced in the musical excerpts. The author finds direct similarity both species: Masturbation, for example, may correspond to the number of tańczonemu or śpiewanemu solowemu - like Singin 'in the Rain from the musical of the same name, sex is like the typical heterosexual classic duet, as You Were Meant for Me of Rain Song, oral equivalent variation, while a narcissistic lesbian I Feel Pretty from West Side [...] Story . Enjoy.